![]() The “quality” of a chord is determined by the intervals of the notes within it in relation to each other. Trying using 16th notes here, and leaving a gap or 2 x 16th notes in between each stab. The second is by using syncopated chord stabs (we’ve all heard them). You can start your chords slightly before or after the beginning of a bar (usually by an 8th note). There are two main options here, and when combined can really add life to a boring chord progression. ![]() ![]() Right…from following point 1 (and the other post I linked to), you should now have a pretty standard chord progression, so let’s spice things up a bit: 2. You’ll then have a standard diatonic triad (find out more here). When you have your template, you just count up two notes from the bass note of the chord you’re working on, draw in a note, then count up two more from that and draw in another note. (In Ableton Live you can then press the “Fold” button, and you’ll be left with only the notes in that scale, which makes writing chords super-easy) This is a case of drawing in a template in your DAW’s piano roll editor of every note in a scale (find out more here). Building chord progressions from scratch. In order, we’ll be looking at: Chord Progressions 1. Download my EDM Chord Bible for FREE by clicking here
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